Director of photography
camera operator
film amici per caso
Director: MAx nardari prod: reset film
cast: Rocco fasano, mirko sfrezza, filippo contri, giulia schiavo, filippo tirabassi, beatrice bruschi
serie tv resta con me
Director: monica vullo / franco nardella prod: palomar
cast: francesco arca, laura adriani, maria pia calzone, arturo muselli, Chiara Celotto, Antonio Milo
film i giorni della vendemmia
Director: marco righi prod: ierà
cast: lavinia longhi, marco D’Agostin, Gian Marco Tavani
serie tv Al Arbaji
Director: seif al deen sbei’i
prod: golden line production
cast: Bassem Yakhour, Salloom Haddad, Dima Kandalaft, nadine khoury, fares yaghi
film Bent
dop : F.corticelli
operatore macchina b / DOP split unit : a.Valori
Director: Bobby moresco
prod: monica bacardi andrea iervolino
cast: Andy Garcia, Sofía Vergara, Karl Urban, Joe Pacheco
film airborne
director: dominic burns
prod: press on feature
cast: Mark Hamill, Julian Glover, Craig Conway, Simon Phillips, Gemma Atkinson, Alan Ford, Billy Murray
serie tv solo2
dop : l.martinucci
operatore macchina b / DOP split unit : a.Valori
director: Stefano mordini / enrico maria artale
prod: tao due
cast: Marco Bocci, Peppino Mazzotta, Renato Carpentieri
serie tv il silenzio dell’acqua
dop : l.adorisio
operatore macchina b / DOP split unit : a.Valori
Director: pier belloni prod: Vela film
cast: Giorgio Pasotti, Ambra Angiolini, Valentina D'Agostino
film Razors
director: Ian powell
prod: Magic Mask Pictures
cast: Kelby Keenan, Thomas Thoroe, Josh Myers, Kunjue Li, Andrew Shire, Georgia Maguire
serie tv medina
dop : s.Van Hales
operatore macchina b / DOP split unit : a.Valori
Director: Ahmed Al Baker
prod: arab telemedia
cast: Eric Roberts, Hana Chamoun, Natasha Henstridge, Hemwant Tiwari
film how to stop being a loser
director: dominic burns
prod: press on feature
cast: Craig Conway, Martin Kemp, Stephanie Leonidas, Colin Salmon, Gemma Atkinson, Martin Compston, and Simon Phillips
film The reverend
Director: Neil Jones
prod: Burn Hand Film Productions
cast: Rutger Hauer, Doug Bradley, Tamer Hassan, Simon Phillips, Giovanni Lombardo Radice
serie tv malik Bin Al Rayb
director: Mohammed Lutfi
prod: arab telemedia
cast: Yasser Al Masri, Sameera Asir, Margo Haddad, Nadira Omran,
A Cinematic Journey with
Gucci
Director alina marazzi
prod: mir cinematografica
to cut is to think: dior
Director: alina marazzi
prod: mir cinematografica
tuttavia the compelling history and emotion of war and its outcomes.
Director: Metz + Racine Mototake Makishima
PRod: METZ + Racine
the beauty of film kodak with Edita Vilkeviciute
Director: bebe moratti client: redemption
model: Edita Vilkeviciute
:
Dive into My Cinematic World
TEN MINUTES MONTAGE FROM SOME OF MY NARRATIVE FILMS
Ticking away the moments that make up a dull day Fritter and waste the hours in an offhand way Kicking around on a piece of ground in your hometown Waiting for someone or something to show you the way
Ticking away the moments that make up a dull day Fritter and waste the hours in an offhand way Kicking around on a piece of ground in your hometown Waiting for someone or something to show you the way
how it all
started
Thank you for being here. Ever since Sony released the "1000" DV PAL Video camera at the end of the 90’s, I've been involved in numerous projects. In those years, budding cinematographers, including myself, chased the dream of working with cinema lenses. We often resorted to unconventional and makeshift systems to attach these lenses to relatively affordable digital cameras. Our goal was to make our footage resemble the classic film look. Interestingly during this period, Kodak film stocks were evolving to mimic the flatter and crisper aesthetics of digital imagery.
year 2004
On the set of our first feature in 2003 in Rome, I had the pleasure of working alongside Cinzia Bomoll. We filmed using the Panasonic DVX 100AE, coupled with the PS Technik adapter and paired with the superb super speed Zeiss 1.3 lenses. It was truly a dream setup for that era.
year 2007
On a bustling set in London, I embarked on shooting my first feature on Super 16mm. This venture marked a thrilling shift from years as a clapper loader, handling film stocks, to now directing the photography of a feature. Each frame captured was a blend of past learnings and present vision, a leap into the heart of cinematic storytelling
year 2006
On set of my second feature in 2005 in Rome, again we decided to shoot on the Panasonic DVX 100AE, coupled with the PS Technik adapter and paired with the superb super speed Zeiss 1.3 lenses. It was truly a dream setup for that era.
year 2008
My fourth feature was captured on a Canon camera equipped with Prime lenses. From this moment on, I felt a newfound confidence, ready to tackle any scenario that came my way. Accompanying me was my first camera assistant at the time, a reliable presence by my side